Material Vision – Silent Reading by Espen Sommer Eide 2014-15. Using eye-tracking technology and musical instruments to investigate the landscape of polar island Bjørnøya / Bear Island / Beeren Eiland. The expedition took place in the summer of 2014. This page documents the work in progress from the earliest experiments on archive material to the expedition itself.
In Moscow this week:
I am performing with Verdensteatret Bridge over Mud at 16 and 19 o'clock monday-wednesday at NCCA.
At DOM, playing a short solo set on monday 28. Info
In Copenhagen: Nordic Music Days screening of "Material Vision – Silent Reading" video work until 30. September.
Verdensteatret on Russia K TV:
11.04.2015 The evening starts at Trykkeriet, Fjøsangerveien 70A with exhibition and food 6 p.m – 9 p.m. Followed by a premiere film screening at Landmark at 9:30 p.m (doors open 9 p.m). Afterwards there will be music by Are Mokkelbost (Single Unit, Kill) and Mental Overdrive (DJ set by Per Martinsen).
Material Vision – Silent Reading is a film and series of prints by Espen Sommer Eide, based on the creation of new musical instruments and a performance developed on Bear Island.
At Trykkeriet Espen Sommer Eide will exhibit 6 photogravure prints originally commissioned by KORO / University of Tromsø for the recently opened Faculty of Science and Technology building, in addition to a new installation work. The prints are printed in an edition of 14.
Happy new year! Some upcoming winter shows:
12. January, Bergen Kjøtt, 20x20x20 collaborative concerts (with Thea Hjelmeland (song), Odd Martin Skålnes (song/gitar), Øystein Skar (synth), Stephan Meidell (gitar), Espen Sommmer Eide (div elektronikk), Øyvind Hegg-Lunde (trommer) Ana Jorge (visuell kunst), Guro Rimeslåtten og Ole Martin Meland (dans)).
17. January (Kvien & Sommer live), Arts birthday, Norrlandsoperan Umeå, Sweden
26. February (musical performance), Sonic Acts (opening at Stedelijk) Amsterdam.
28. February (presentation of Material Vision – Silent Reading), Sonic Acts conference.
Came across this quote that seems to explain it all:
"I’m thinking about the piece Espen Sommer Eide played in the school in Nikel on Saturday evening. He basically took what I guess was a first inversion of a harmonic minor triad – the kind of chord you play before the tragic resolution of a sad symphony about your deafness, or whatever – and he made it ooze, sort of atonally, a little bit around the edges, and made it bleed a little bit. Then he took the oozing-bleeding and bent it and moved it around and started playing with it. It was as if he took some kind of hard clay and warmed it up and bent it, transmuting it until it became something much more sensual, something that set the stage for what happened next..."
– Timothy Morton, interviewed after the Dark Ecology journey.
Photogravure Printing @ Trykkeriet Bergen. Pulled by the master David Stordahl. More info at http://silentreading.tumblr.com/
Music: Alog - Walk the earth
I am preparing to go to the polar island Bjørnøya this summer. I will record material for an upcoming permanent and public art installation for the University of Tromsøs new building 'Teknologibygget'. In short I am currently building a mobile setup for eye-tracking, to track my eyes while gazing at (and tuning into) the special landscape of this area. The results will be both performative, musical and visual prints. The research part of the project goes into the area of landscape philosophy and psychology of reading.
The work is titled: "Silent Reading – Material Vision".
I will write more about this the coming weeks and months, and feel free to follow the tumblr blog for the project that will be regularly updated to document the progress.