by espen sommer eide
Building Instruments
The past few years I have built a number of musical instruments. The goal is to find the perfect position between the acoustic and digital worlds. The instruments are often based on old parts lost and found, which are refurbished into electronically augmented instruments.
Instrumentography:
The Tandberg family (Tantrix, Sølvberg, Treberg, Slåttberg).
The Concertinome
The Player Record
I am currently working on building instruments for Verdensteatrets new production.
11January2012
The amazing guys over at Voy (famous for their WIFI lightpainting amongst other works) have made a (kind of) music video to present my new instrument the "Wind Speaker". The instrument was made in collaboration with Voys Einar Sneve Martinussen, who designed and built the birch casing for my electronics.
The Wind Speaker may best be described as a digital electro-acoustic harmonica made of birch that turns blowing into computerised singing. The sound emerges from the speakers at the front of the instrument when the player blows into the holes in the wooden mouthpiece at the back. The amount of pressure controls volume and various effects to add expression. There are both singing and speaking poetry modes (the latter I play towards the end). The red wire out of the box is the powercord.
More images and information over at Voy (how many Scrabble points for that name?). They just started their design-studio and opened their webpage, so pay them a visit!
And yes... in case you were wondering... the location is a woodshop, the birthplace of the Wind Speaker!25May2011
I exhibit a musical instrument made for the iPad called "the Movement I-X" at the SID exhibition that opens at the Technical Museum in Oslo on Sunday 29. May at 18.00. Welcome!
"Sound can be one of the principal channels conveying information, meaning, and aesthetic/emotional qualities in interactive contexts. The 12 works of this exhibition showcase the use of Sonic Interaction Design within arts, music and design, and also provide examples of sonification for research and artistic purposes.
The exhibition features works by: Christian Graupner, Roberto Zappalà, Norbert Schnell & Nils Peters (DE/IT/FR), Espen Sommer Eide (NO), Gerhard Eckel (AT), Jessica Thompson (CA), Joshue Ott & Morgan Packard (US), Michael Markert (DE), Natasha Barrett & Karen Mair (NO), René Tünnermann, Till Bovermann & Thomas Hermann (FI/DE), Satoshi Morita (JP/GE), scenocosme (Grégory Lasserre and Anaïs met den Ancxt) (FR), Steve Symons (UK) og Thomas Hermann & Risto Koiva (DE/EE)."
more info here
27April2011
On Thursday 28 April the Stedelijk Museum and Non-fiction present Hear it! – a playlist for the Stedelijk Museum, with works by Dick Raaymakers, Alvin Lucier, Mark Bain and Gert-Jan Prins, and performances by Paul Panhuysen, Carl Michael von Hausswolff, Alog, Claron McFadden and many others.
“I don't separate ‘Sound Art’ from ‘music’. I am one person; my ideas come from the same place.”
- Alvin Lucier
A playlist for the museum
Hear It! is presenting a playlist of these different types of work with sound, and is presenting different generations of musicians and artists who work with sound in their own way. This evening does not aim to provide a historical cross-section of sound in the arts, but is a personal playlist of works from the collection of the Stedelijk Museum and performances by (international) artists and musicians who are exploring the limits of the building and sound. The evening was organised intuitively by listening carefully to the building, the collection and the public, and is possibly most comparable to the way in which a DJ works, or to the musical experience you have with Soundcloud and Spotify. That is why there is a mixed succession of a Siren, a Norwegian DIY band, a Gregorian choir and the public which assumes the role of composer and performer, amongst others.
The sound of now, since 1952
It is now almost 60 years since director Willem Sandberg embraced music in the Stedelijk with his famous series ‘The Music of Now’ in 1952. Sandberg’s view was that the museum should provide room for other art forms than visual art as well, including contemporary music. Since then contemporary music has assumed many different forms and is described in various ways: as experimental music, sound art, sound performances, sound sculptures and audio culture. Some musicians call themselves ‘artists’ and some artworks are characterised as being ‘musical’. It is not always completely clear, but what is evident is that there is great deal happening at the point where the visual arts, music and sound come together.
Performances by
Aardvarck (NL) / Alog (NO) / Nathalie Bruys (NL) / Carl Michael von Hausswolff (SE) / Allard van Hoorn (NL) / Brandon LaBelle (USA) / Claron McFadden (USA/NL) / Gabriel Lester (NL) / Paul Panhuysen (NL) / Sarah van Sonsbeeck (NL) / Schola Cantorum Amsterdam (NL) / Hogeschool voor de Kunsten Utrecht (NL)
Works by
Mark Bain (USA/NL) / Pierre Bastien (FR) / John Cage (USA) / Alvin Lucier (USA) / Gert-Jan Prins (NL) / Dick Raaymakers (NL)
Introduction by
Harold Schellinx / Juha van ‘t Zelfde
Compiled by
Michiel van Iersel & Juha van ‘t Zelfde (Non-fiction)
14April2011
Radio Arc from Material Vision on Vimeo.
I received my Arc today. After unboxing, I updated an old patch I had lying around to be controlled by it. The patch mimics a long-wave radio, and the "stations" I tune into are soundfiles lying on my desktop. It was actually originally made to be controlled by the Griffin Powermate knob. But this upgrade to Arc gives me much better control through high resolution and visual feedback. One knob is for tuning in larger/coarser steps and the other for fine tuning into the stations spread around the Arc.
01January2011
And All the Questionmarks Started to Sing from Verdensteatret on Vimeo.
35 min documentation of Verdensteatret's live performance "And All the Questionmarks Started to Sing"
05June2010
02March2010
Two bicycle wheels mounted upright arrived in the post today from Verdensteatret. My task: To make them play like instruments.
04August2009
The Concertinome is a custom made instrument combining the concertina accordion with the monome style keyboard and electronic air pressure sensors. It was made by Espen Sommer Eide 2009 and demonstrated in this concert at Visningsrommet USF, Bergen, Norway.
30March2009
Bergen Electronic Racecourse was the opening event at the 2009 borealis festival i Bergen, Norway. It took place at the local horseracing course and was curated by Espen Sommer Eide and Alwynne Pritchard. In this clip you can experience one of the acts improvising to a choreographed horse race.
The band:
John Hegre (Jazzkammer), bass steel guitar
Espen Sommer Eide (Phonophani, Alog), elecronics and race-choreography
Chris Rune "Noiseboy" Olsen, trot-generator and noise Amund Sjølie Sveen, drums
26August2008
30July2008
31January2008
A preview of a custom built musical instrument by Espen Sommer Eide, artist and member of Alog and Phonophani. The Slåttberg will premiere at the Borealis Festival for contemporary music Bergen, Norway late february 2008.